At the heart of my work is a personal story of a life lived in colour
My own aesthetic narrative
At the heart of my work is a personal story — the confluence of my English-Italian heritage, design, culture, history — and a desire to put these into a body of work that celebrates emotion through colour and form. I call this celebration an ‘aesthetic narrative’.
When I’m working, I bring a multi-disciplined and intuitive approach to understanding and reading colour — relative to light, purpose and intention, and how a colour combination can best work for you.
I aim to help you find the right colours for your own aesthetic narrative.
Experiencing colour
Although ever-present throughout my life, the influence of colour has never been felt more than when at home.
For over three decades, I have renovated homes, and it was during the loving restoration of my dilapidated Grade II Georgian cottage, that I learned to observe, listen to and understand the soul of the space.
This time spent restoring taught me how to commune with a building, and read the movement of light and shade. An intuitive feel for the relationship between colour, light and atmosphere began to emerge.
“The soul, fortunately, has an interpreter – often an unconscious but still a faithful interpreter – in the eye.”
Charlotte Brontë
Harnessing colour
My aesthetic naturally gravitates to an experience beyond the purely visual — incorporating depth, art and place — and so I look to influences outside my immediate environment to research and observe the use of colour. This has gifted me the ability to harness colour in an immersive, 3D way. I am particularly interested in sculpture, painting, trompe l’œil and De Stijl.
Eastern traditions, the precepts of wabi sabi, shadow and light, and Kinsugi, deepen my approach to aesthetics and atmosphere.
Nourished by nature
As a former florist, the ebb and flow of seasonal colours remain a constant source of inspiration for me, as do skies, seas, and landscapes, but my grasp of the synergy between colour, nature and design began in my childhood Arts & Crafts home, rich with vernacular textiles, patterns and handicrafts.
Colourful collaborations
Establishing my creative practice has meant combining years of industry experience and research, resulting in working partnerships with interior designers, and the UK press, including House & Garden, The English Home, Homes & Gardens, Marie Claire and The Times Magazine.
Parallel to my colour work is my passion for antique preserving vessels — a signature style — whilst my former career as an event florist saw my work used at some of North London’s most historic venues that include The Ritz, The Langham, Kenwood House and Burgh House.
“Were it not for shadows, there would be no beauty.”
Jun’ichirō Tanizaki